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In this issue we talked
Aerial car entry skills and posture
I want to shoot as much as the TeamJroneSKY introduced in the previous issue .
Need to spend a lot of time and energy
First, a wonderful piece of TeamJroneSKY is mixed.
After reading the works of the Great God, are you excited and excited?
Here are some tips and experiences that TeamJroneSKY shared with you.
1. What preparations do you need to do before shooting?
Personnel composition: for example, video creative person in charge, producer, director, photographer, lighting engineer, makeup artist, etc. The aerial photography part also has flying hands, cloud platformers, ground crews and watchmen, etc. The preliminary division of labor and composition is A crucial link.
Script materials: such as scripts, sub-shots, set plans, props, lighting samples, etc., are also materials that must be prepared in the early stage.
Image from the network (invasion)
2. When shooting, is it strictly in accordance with the split-lens script? Will it be played on the spot, and take some shots at will to make the later materials more abundant?
Joshua (Zhang Yuhua), one of the founders of TeamJroneSKY, said that the shooting of car advertisements (especially aerial photography) is different from that of ordinary film and television dramas. Whether it is on the road or in bridges, tunnels, etc., it must be pre- Traffic police and other relevant departments reported, applied for temporary traffic control, and the control time was very short. Therefore, it was not allowed to waste a minute or two at the time of shooting. Almost all of them were photographed in accordance with the requirements of the director, and will not give you NG. Opportunity .
The requirements for the flying hand and the cloud hand are very high. It seems that you want to take a good car. It is not good to not practice flying skills.
3. What kind of narrative method does car advertising generally use?
To put it simply: it can be roughly divided into single-line narrative and two-line/multi-line narrative
The single-line narrative performance can be simply understood as: the main line in the advertisement is only the car, and all the shots are displayed around the car;
The two-line/multi-line narrative performance means that there are two or more story clues in the video, such as the common one: one set of cars is driving fast on the road, and the other set is that people are climbing the peak or running hard. This form of expression is rich in content, usually using advertising words to link two or more clues to express the same theme.
Guanzhi car advertising, Yu Wenle starred in the second character narrative
4. How do you choose the location and style of different models?
In fact, this point is better to distinguish, the general small car shooting scene in addition to the common urban roads, bridges, tunnels, etc., you can also choose a better landscape of the seaside, suburbs and other relatively flat road framing;
In addition to urban scenes, larger models such as SUVs and JEEP often choose some rugged mountain roads, deserts, and even snow mountains.
The scenes with strong visual impact and challenges can highlight the performance of large cars. 
It’s very effective to get a splash of water, snowflakes, sand and the like.
5. How to choose the time of the external shooting, what is the difference between the shooting of different colors?
Joshua said that the shooting time is generally chosen in the morning and evening, the light in the morning and evening is rich, the sky is layered, sometimes there is morning glow, the light from bright to dark, the color will vary, and the light reflected on the body is very beautiful.
In addition, different colors of cars have different requirements for light. For example, white and silver cars reflect light to the body and the color and level are not so much. If it is a dark car, it reflects the sky, clouds, etc. rich.
Therefore, the choice of weather is also very important, it is generally not recommended to shoot on a cloudy day without light levels.
6. What lens focal length is suitable for car shooting?
Joshua said that the shooting of car ads is not suitable for lenses with too wide focal lengths. The wide focal length will also cause distortion. The 35-40 is more able to keep the car in its original state. After the emergence of Inspire2, they also used a lot in the shooting process. Compared to the large aerial drones such as the M600 and S1000, the Inspire2 is not only powerful, but also lightweight and convenient.
The question you are most looking forward to is coming. How did you shoot this?
This shot was taken by Kay Yan of TeamJroneSKY.
The device uses R onin-MX+Red raven+M600
Because the R onin-MX pitch axis can be rotated to -135°, the maximum limit can be used to achieve the above lens.
Of course, the lens feels so smooth, and always keeps the position of the car in the picture, which is also a test for the hand of the flying hand.
7, the state of the shooting sports car with the film with more and more vehicles or drones shoot?
In the past car motion lens shooting process, most of them are carried out with the car, and also need to install the rocker arm, the overall is bulky, it will consume more manpower and material resources.
However, there is still an irreplaceable advantage with the car. There are still many world-class shooting teams using the car, for example, when shooting some very close lenses, it is safer and more stable than the drone. Also better controlled.
But for TeamJroneSKY, the drones are like their hands and eyes, and the team members who are the top flying players in the country are playing more than the car.
Can you fly so close to shooting a moving car? They can ~
8. Are the high-speed Mercedes-Benz car pictures that we see real or post-accelerated?
Joshua said that in order to ensure the authenticity of the video effect, most of the shots they shot were almost exactly the speed of the ran, the speed was real, and the speed of the aerial camera was also true, so both the driver and the flying hand needed Have a hard technology to complete.
9. How to create a "senior sense" for the shooting picture?
The “senior sense†here refers to the use of all the finite factors to create a “forced†picture effect in the only field conditions. For example, the following lens, the picture has a mysterious, sci-fi big effect.
But in fact, the scene environment is very simple, the production team poured a layer of water on the ground, so that the reflection of the water surface and the lighting of the walls are interesting, forming a surreal psychedelic color. Is it both saving money and producing results?
Getting some smoke under the light can also create a mysterious feeling.
In general, aerial photography is a challenging and difficult task. From the past with the car, the rocker arm, to the increasingly popular drones, technology has changed the productivity tools step by step, and a little bit Changed the creative habits of film and television workers.
I am very grateful to TeamJroneSKY for sharing so many valuable experiences with us. "Masters introduce doors and practice by individuals." Youfeiyou want to play more aerial photography and practice more. (In addition, be sure to pay attention to safety, not to fly. Don't fly in the place~)
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